Aguayo Quena Case x 1

Aguayo Quena Case

1 X QUENA CASE ONLY! NO QUENA INSTRUMENT IS INCLUDED Bolivian Quena Bolivian Quena Case – direct from Bolivia! Length 41cm / Diameter 4cm Made from Reral Bolivian Aguayo material Random Colour will be sent. We sell Quena instruments too including quena with the case – see our other adverts May differ slightly from that pictured due to hand made nature This is not a toy – not suitable for children

We have many more woodwind instruments from all over the world.  We also sell Quena Cases and Quenas with accessories.

Aguayo Quena Case Background

Aguayo

The aguayo[1][2] (possibly from awayu, Aymara for a woven blanket to carry things on the back or to cover the back), is a rectangular carrying cloth used in traditional communities in the Andes region of Argentina, Bolivia, Chile, Colombia, Ecuador and Peru.  Aymara and Quechua people use it to carry small children or various other items in it on their backs.

Quena

The quena is central to the music of Bolivia and Peru. It will be useful for you to learn how to play it and you can click this link for a video guide.

The quena (hispanicized spelling of Quechua qina) is the traditional flute of the Andes.

Traditionally made of cane or wood, it has 6 finger holes and one thumb hole, and is open on both ends or the bottom is half-closed (choked).

To produce sound, the player closes the top end of the pipe with the flesh between the chin and lower lip, and blows a stream of air downward, along the axis of the pipe, over an elliptical notch cut into the end. It is normally in the key of G, with G4 being the lowest note.

It produces a very “textured” and “dark” timbre because of the length-to-bore ratio of about 16 to 20 (subsequently causing difficulty in the upper register), which is very unlike the tone of the Western concert flute with a length-to-bore ratio of about 38 to 20.

The quena is mostly used in traditional Andean music. In the 1960s and 1970s the quena was used by several nueva canción musicians. This use was in most cases for particular songs and not as a standard instrument, but some groups such as Illapu and virtuoso player Facio Santillan have used it regularly. In the 1980s and 1990s some post-nueva canción rock groups have also incorporated the quena in some of their songs; notably Soda Stereo in Cuando Pase el Temblor and Los Enanitos Verdes in Lamento Boliviano. The quena is also relatively common in world music.

This information was taken from this article.