Vietnamese Dan Tranh Case 16 chord Zither 80cm

Dan Tranh Dimensions: 80 x 20 x 12cm (31″ x 8″ x 5″) Weight: approx 1.5kg Extremely hard to find traditional Vietnamese instrument. It has 16 strings and is played with a plectrum or pick. It is a beautiful instrument, made from wood and features inlaid mother of pearl designs. There are moveable bridges used for tuning and support. The bridges are made of wood. Included: 1 x 80cm Dan Tranh 1 x goat horn plectrum 1 x Soft Case More Information The dan tranh is a plucked zither of Vietnam, based to the Chinese guzheng. The same root is also Japanese koto, the Korean gayageum and ajaeng, the Mongolian yatga, the Sundanese kacapi and the Kazakh jetigen. It has a long soundbox with the steel strings, movable bridges and tuning pegs positioned on its top. The dan tranh can be used either as a solo instrument, as part of various instrumental ensembles or to accompany vocal performances. The soundbox consists of a curved top plate, a flat bottom plate, and six side-pieces. The top and bottom plates are usually made of Paulownia wood. The side-pieces as well as the bridges, and tuning pegs and the two small legs are made of hard wood. The movable bridges have the shape of the letter V turned upside down, and their sizes varies according to their position: The one for the lowest string is the largest. The higher their position, the smaller their size is. The strings are made of steel and have varying diameters. They are tuned to the pentatonic scale. Performers pluck the strings with the right hand and bend the strings with the left hand to create a wide range of microtonal and tonal ornaments. In traditional music, performers use 2 or 3 fingers (thumb and index, or thumb, index and middle fingers) to pluck the strings. In a number of new compositions, as many as four or five fingers may be used to pluck the strings. In these new works, the left hand may also be used to enable the performer to play two simultaneous parts. Sometimes, an tranh will play with bow, the player traditionally bowing the strings to the right of the bridges while the left hand varied pitch and vibrato by pressing the strings on the other side of the bridges. Further information on the Dan Tranh can be found here